When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home.  In fact, some of our favorite artists have exploited the otherwordly look of night photography to create fantastic and strange imagery.  In this Field Guide, you’ll make fast friends with your tripod and the slow shutter speeds on your camera, pushing your idea of “available light” to its limits. 

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home.  In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you.  In this Field Guide, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits. 

When darkness falls, you don’t have to put your camera away and go home.  In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you.  In this Field Guide, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits. 

When darkness falls, you don’t have to put your camera away and go home.  In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you.  In this Field Guide, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits. 

When darkness falls, you don’t have to put your camera away and go home.  In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you.  In this Field Guide, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits. 

In this Holiday Edition of Night Vision, we'll be journeying to the famed Dyker Heights neighborhood of Brooklyn, where residents go all out for the holiday season.  From mile-long lights to animatronics, these Brooklynites pull out all the stops, and we'll be using long exposure techniques and special effects to fully capture the spirit of the season!

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.

When darkness falls, you don’t have to put your camera away and go home. In fact, some of our favorite artists have exploited the otherwordly look of night photography and so can you. In this 3-hour workshop, you’ll make fast friends with your tripod and the B (bulb) setting on your camera, pushing your idea of “available light” to its limits.